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Ana Nur Ainy, 121311233011 (2017) DECONSTRUCTING THE CONCEPT OF ‘PURE WOMAN’ IN THOMAS HARDY’S TESS OF THE D’URBERVILLES. Skripsi thesis, Universitas Airlangga.

Etano Bangkit Prima Kurniawan, 151511813056 (2019) GUIDING AND MANAGING GOOD COMMUNICATION IN TOURIST INFORMATION CENTRE OF DENPASAR. Tugas Akhir D3 thesis, Universitas Airlangga.

DWI MEI SUHARTANTI, 121211232086 (2016) THE IMPACT OF TRAUMATIC CHILDHOOD EXPERIENCE ON MARTIN VANGER’S SADISTIC PERSONALITY IN STIEG LARSSON’S THE GIRL WITH THE DRAGON TATTOO: A PSYCHOANALYTIC CRITICISM. Skripsi thesis, Universitas Airlangga.

RESTU ISWORO, 151411813089 (2017) A JOB TRAINING REPORT AS AN ADMINISTRATION STAFF AT PT. PERSADA LAUTAN SENTOSA FROM JANUARY 16TH 2017 TO FEBRUARY 28TH 2017. Tugas Akhir D3 thesis, Universitas Airlangga.

SOFYANDA CAHYA UTAMA, 121112137 (2018) LINDA’S AFFAIR TO REVIVE HER MARRIAGE LIFE IN PAULO COELHO’S NOVEL ADULTERY :A NEW CRITICISM STUDY. Skripsi thesis, Fakultas Ilmu Budaya.

FESTIANANDA ERUM MAWADDAH, 121211233057 (2017) A NEW CRITICM STUDY: XENOPHOBIA OF THE MAIN CHARACTER IN UMBERTO ECO'S THE PRAGUE CEMETERY. Skripsi thesis, Universitas Airlangga.

Alberta Natasia Adji, 121211231005 (2016) THE SENSIBLE SISTER FORESEES EVERYTHING: A HYPERTEXTUAL STUDY IN GRIMM BROTHERS’ THE WORN-OUT DANCING SHOES AND JULIET MARILLIER’S WILDWOOD DANCING. Skripsi thesis, UNIVERSITAS AIRLANGGA.

Kartika Widya Sari, 121112032 (2017) SYLVIA PLATH’S CONFESSION ON SUICIDE THROUGH SYMBOLS IN “LADY LAZARUS” AND “EDGE”: AN EXPRESSIVE APPROACH. Skripsi thesis, Universitas Airlangga.

AGTAVEMI APRILIA NIARIESTA, 121112097 (2017) SYMBOLS OF BEAUTY IN SHAKESPEARE’S SONNETS: SONNET 18, SONNET 54 AND SONNET 130. Skripsi thesis, Universitas Airlangga.