S

WAHIDA SUNDUSIYA (2024) THE AMBIVALENCE OF TOBY'S IDENTITY IN ANNETTE UPFAL'S BEYOND THE DREAMING. Skripsi thesis, UNIVERSITAS AIRLANGGA.

FIBRIANA DIAN PRASARI (2013) THE EFFECTS OF SETTING AND CHARACTERS ON THE MAIN CHARACTERS CONFLICTS IN "DOUBT" AND "THE STOLEN PARTY" SHORT STORIES. Skripsi thesis, UNIVERSITAS AIRLANGGA.

SRIYANI (2004) HUMBERT'S PEDOPHILIC BEHAVIOUR IN NABOKOV'S LOLITA: A PSYCHOANALYSIS PERSPECTIVE. Skripsi thesis, UNIVERSITAS AIRLANGGA.

WIGATI DYAH PRASASTI (2024) THE IMPOIUANCE OF FRIENDSHIP IN FRANCES HODGSON BURNETT'S THE SECRET GARDEN. Skripsi thesis, UNIVERSITAS AIRLANGGA.

NOOR IRAWATI (2024) JANE'S STRUGGLES TO SURVIVE FROM THE SUFFERINGS ON CHARLOTI'E BRONTE'S JANE EYRE. Skripsi thesis, UNIVERSITAS AIRLANGGA.

YUDIA CHRISTINE DIDIT (2024) MAGGIE'S DOWNFALL CAUSED BY HER SOCIETY'S FALSE MORAL VALUES IN STEPHEN CRANE'S MAGGIE : A GlRL OF THE STREETS. Skripsi thesis, UNIVERSITAS AIRLANGGA.

HIRONIMUS A.M. KLEDEN (2024) THE MARTYRDOM OF THOMAS BECKET IN T.S. ELLIOT'S PLAY MURDER IN THE CATHEDRAL. Skripsi thesis, UNIVERSITAS AIRLANGGA.

PUGUH BUDI S. (2024) THE MEANING OF BEING CHINESE AMERICAN IN HWANG'S DRAMA THE DANCE AND THE RAILROAD. Skripsi thesis, UNIVERSITAS AIRLANGGA.

WINARTI (2024) THE NATURE OF HUMAN INTERACTION IN FINDING OUT THE SIGNIFICANCE OF BEING HUMAN AS SHOWN IN ALBEE'S THE ZOO STORY. Skripsi thesis, UNIVERSITAS AIRLANGGA.

ST. FATIMAH (2002) ORIENTALIZING THE WEST: THE PROMOTION OF MULTICULTURALISM IN ISHMAEL REED'S "JAPANESE BY SPRING". Skripsi thesis, UNIVERSITAS AIRLANGGA.

DIAN NITA KURNIA (2024) THE PORTRAYAL OF RACIALIZED BEAUTY EXPERIENCED BY PECOLA BREEDLOVE IN TONI MORRISON'S THE BLUEST EYE. Skripsi thesis, UNIVERSITAS AIRLANGGA.